


Whitney Houston (August 9, 1963 – February 11, 2012)
In the span of her near 40-year career Whitney Houston has sold over 170 million singles, albums and videos worldwide. The six-time Grammy Award winner has done it all, from movies to modeling, but has never, ever recorded with a Hip-Hop artist. Here's my wishlist of rappers that I think would have complimented Whitney's sound, style and grace as the superstar talent that she will always remain.
5. Heavy D- The Overweight Lover has collaborated with two of pop’s biggest stars, both Michael and Janet Jackson. Whitney’s was close with both MJ and Damita Jo so it only seemed fitting that “The Voice” work the bum-diddley Heav D. With his penchant for pop-friendly yet substance-filled lyrics and her soaring vocals, Heavy D and Whitney could have made beautiful music together for the grown and sexy set. Hope they are in heaven doing just that as we speak.
4. Notorious B.I.G.-Now I know what you’re thinking…What possibly could Brooklyn’s finest have in common with Grammy winning pop star Whitney Houston? Nothing much except that they were both at the top of their game (also at different times in their careers) before they met untimely demises. Still Big Poppa and Whitney on a track with maybe R. Kelly and Diddy helming the production sounds like money in the bank to me! Think Kelly and Big’s 1995 “(You to Be) Happy” (off of Kelly’s self-titled 1995 release) where the Notorious proved his impeccable hardcore flow could mesh well with an MTV Video award-winning R&B star. Mixed Big’s witty, female-fused lyricism with Houston’s vocal stylings from “My Love is Your Love”, Houston’s first and only foray into a semi-dancehall Hip-Hop styled track and you might just have a hit on your hands.
3. Jay-Z-Similar to Whitney Houston, Jay-Z has always been a class act. Whether admonishing rappers about their choice of luxury automobile (“You bought a 4.0 you better get your change”) or reminding them of his lyrical and commercial success (“Jigga held you down for six summers”), Jay-Z is no stranger to the throne, whether you agree he belongs there or not. Same with Houston; she is not only R&B royalty (reared by musical greats Dionne, Aretha and Chaka, no last names needed) but became a pop superstar with the numerous number one albums and top ten hits worldwide. No need to speculate what these two would record about, let’s just say it’d be appropriately titled “Watch the Throne”.
2. Diddy- Unlike many Hip-Hop artists, Sean “Diddy” Combs was no stranger to Whitney Houston. Some would even call them associates, as they both share a mentor (Clive Davis), humble label beginnings (Arista Records) and ran in similar celeb circles. In recent news following Houston’s death, Puff even recalled his meetings with Houston as always “warm” and also attended her 1992 wedding to Bobby Brown. And with Diddy’s heyday as a solo artist/mogul peaking (he won a Grammy for “Best Rap Album” for No Way Out) the same time as Whitney Houston released her 4 million-selling “comeback” album “My Love is Your Love”, 1998 was a GREAT year for both Diddy and Whitney. Which is why it’s hard to understand why Diddy and Whitney have never recorded a track together. With all of that hit-making ability combined, I smell a Biggie-esque Whitney Duets LP in the works…
1. LL Cool J-As an artist who is no stranger to the trials and triumphs of the dreaded “comeback” album musicians of any genre inevitably face, LL Cool J made an appropriate host to pay homage to Whitney’s shocking, sad death during his hosting duties at this year’s Grammy Awards. Over the years, Cool J has successfully reinvented himself as a rapper, actor and now TV personality and host in both the Hip-Hop and pop worlds. In his Hip-Hop heyday, LL enjoyed the luxury of maintaining a strong male fanbase while being the go-to male rapper for most females due to his pretty boy looks, amazing body and rugged love raps, so it’s a wonder that LL and Whitney never collaborated. Judging from both of their pop-friendly track records and easy ability to cross over, LL and Whitney would have made beautiful music together.
Dearest Whitney, Rest in Eternal Peace. May your musical legacy live on forever. God bless.
Unlike many New Yorkers, I didn't spend Black Friday doing any "competitive sport" shopping or feasting on leftovers while watching TV reruns. I spent my afternoon getting ready to attend the theater to see The Mountaintop. I had been anticipating seeing this play since the summer, when I read Halle Berry was originally slated to star opposite Samuel L. Jackson. Fast forward to November 2011, after months of waiting. New Yorkers can now catch the fantastic (albeit terse) production starring award-winning actors Samuel L. Jackson and Angela Bassett at the Bernard B. Jacobs Theatre through January 22, 2012.
While most would describe The Mountaintop as only a candid look at the lesser-known human side of civil rights leader Dr. Martin Luther King, Jr., it is much more than that.
Both Bassett and Jackson give stellar performances and involve the audience in way that mimics the testimony at a Baptist church. Their snappy dialogue and onstage chemistry successfully aid in seducing audiences into believing that you are eavesdropping on an actual flirty chat between the married, conservative Dr. King and an outgoing, impressionable young woman. That is, until you have an aha! moment that you are actually watching two of Hollywood's finest portray what could have possibly happened on that fateful night before King's unfortunate assassination on April 4, 1968.
Written by female playwright Katori Hall, the story takes place at the Lorraine Motel in Memphis, Tennessee on April 3, 1968. Here, King (played convincingly by Samuel L Jackson) examines his message, the Civil Rights Movement and even his own morals through an honest and at times, flirtatious conversation with an "angelic" hotel chambermaid (portrayed by Angela Bassett). Ninety minutes with no intermission, The Mountaintop provides an interesting analysis of one of the world's oft-celebrated yet intensely private humanitarians during one of American history's most tumultuous periods.
Even though critics may feel the play unnecessarily exposes personal flaws of Dr. King that may tarnish his image in the eyes of some, I can still appreciate The Mountaintop's story and message. A play written with such candor, wit, insight and emotion can be praised by me, due to its attempt to explore Dr. King's thoughts and emotions as a man, instead of simply the stoic persona who is often-times the Black community's poster child for 1960s Civil Rights and whose oft-misunderstood legacy is quickly celebrated (and forgotten) annually each January. Much like how 2009's FELA! explored the life and times of African musician/activist Fela Kuti, resulting in a newfound interest in his music and legacy, The Mountaintop, though debatable at times, ponders not only MLK's important message of human rights, but also what it meant to be human for the man himself.
"I'm lookin' sharp for the people/Not in my physical form/Strong thoughts/I'm cock diesel/Brolic with knowledge..."-Nas, Stay Chiseled
"A joint account can turn one bum to two bums."-LLoyd Banks, Good 2 Me
"...Went from 'hood-shock to 'hood chic/But it ain't what you cop/It's about what you keep..."-Lauryn Hill, "Final Hour", The Miseducation of Lauryn Hill LP
"It wouldn't be no such thing as jealousy or B felonies/Strictly living longevity to the destiny..."Nas feat. Lauryn Hill, "If I Ruled the World", It Was Written LP
"Life's decisions/you chose it/You gotta live it/You did it, heaven or hell or prision."-Nas, "Life We Chose", Nastradamus LP